Our computational methodology will support our claim that screenwriters are arguably as entitled to, or in fact are more entitled to the title of primary author as compared to directors.
Comments closedCategory: Uncategorized
By Sophie Garnett Virginia Woolf’s dreamlike novel The Waves (1931) loosely follows six childhood friends, Susan, Jinny, Neville, Bernard, Louis, and Rhoda, shifting between the…
Comments closed
By Meghan Farbridge Henry Tilney of Northanger Abbey derisively suggests that women’s writing “is faultless except [for] … a general deficiency of subject, a total…
Comments closed
By Damian Fitz The relationship between body and mind is an oft-debated philosophical topic, with the likes of Plato, Descartes, and Hume all weighing in.…
Comments closed
By Ronny Litvack-Katzman Some weeks into his imprisonment at Kamĩtĩ Maximum Security Prison on the outskirts of Nairobi, Ngũgĩ wa Thiong’o wrote that he would…
Comments closed
By Ronny Litvack-Katzman Time weighs heavily on the narrative in Radclyffe Hall’s “Miss Ogilvy Finds Herself,” (1926). The effect of time imposes on Miss Ogilvy…
Comments closed
By Meghan Farbridge “No matter how skillful the painter, his work was always in fee to an inescapable subjectivity. The fact that a human hand…
Comments closed
By Tessa Groszman In 1919, Dr. Magnus Hirschfeld founded the historic Institut für Sexualwissenschaft (Institute for Sexual Science) in Berlin, for the research of LGBTQ+…
Comments closed
By Tessa Groszman Sam Peckinpah’s The Wild Bunch is set during the Mexican Revolution on the Mexico-United States border, in the waning days of the…
Comments closed