by Camille Crichlow The recent rise of unsettling, often disturbing French arthouse films has formed the innovative Cinema du Corps movement, what Tim Palmer in…
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by James Ward Wallace Stevens’ “Sunday Morning” is structured, ostensibly, around an interaction between a woman and a poet, with the woman serving as a…
Comments closedby Collin James The Brothers Grimms’ publication of “Snow White” spawned a lasting legacy that spans across multiple generations of narrative re-invention. This may be surprising,…
Comments closedby Sophia Metcalf BACKGROUND In September 2017, I ended a three-year relationship with a man who had been my best friend since my first days…
Comments closedby Rilla Kingston CREATING CHARACTER There are seemingly infinite methods for building character in a performance or dramatic role. The popularity of a given method changes…
Comments closedby Deanna Duxbury Julie and Faye’s relationship, in David Foster Wallace’s “Little Expressionless Animals,” is surrounded by images of glass, mirrors, and reflection. David Foster Wallace…
Comments closedby Thomas Macdonald In “Stories from the Body: Blood Memory and Organic Texts,” Monique Mojica writes: “Our bodies are our libraries…Each injury, physical or emotional…
Comments closedby Julien Gagnon In his essay “Kafka and His Precursors,” Jorge Luis Borges writes that “each writer creates his precursors. His work modifies our conception of…
Comments closedby Steven Hu The night of 2014’s first-year orientation, Rui Yang and I leave our group and walk the Montreal streets, talking about homesickness. We are…
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