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Into the Dark: The Freeing Power of Darkness in Charlotte Gilman’s “The Yellow Wallpaper”

By: Meghan Farbridge Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a tale of “female confinement and escape,” which depicts the narrator’s experience of a “nervous…

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“The sense of shift:” Blurring Beauty in Michael Ondaatje’s “‘The gate in his head’”

By: Elizabeth Strong Michael Ondaatje’s poem “‘The gate in his head’” is dedicated to Victor Coleman, a well-known Canadian poet and the first editor at…

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“In Utter Defeat I Came to You:” Power, Mastery, and the Value of Submission in Leonard Cohen’s Verse

By: Claire Hurley Pedagogical relationships are one of the many thematic preoccupations that dominate Leonard Cohen’s body of work over his long and esteemed career…

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Reconciliation in Chaos: Tracing word distributions and sentiment in the monologues of “Palace of the End”

By: Nathan Drezner Judith Thompson’s 2007 docudrama play, Palace of the End, presents a series of characters entrapped in their own histories, tangled up in…

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“She Ever Fed it with Thin Tears:” The Convergence of Necrophilia and Nurturing in Keats’ “Isabella”

By: Julien Gagnon The thematic dynamics at play between life and death, and especially the inevitable convergence of these apparent binaries, are evoked by likening…

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When Gluing Cracks Together Is Not Enough: Trauma and Abjection in Kim Thúy’s Ru and Eden Robinson’s “Dogs in Winter”

By Liz Wagner Since it disturbs the natural flow of reading, the fragment form constitutes one of the most striking literary features of contemporary migration…

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