By: Nathan Drezner Judith Thompson’s 2007 docudrama play, Palace of the End, presents a series of characters entrapped in their own histories, tangled up in…
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“She Ever Fed it with Thin Tears:” The Convergence of Necrophilia and Nurturing in Keats’ “Isabella”
By: Julien Gagnon The thematic dynamics at play between life and death, and especially the inevitable convergence of these apparent binaries, are evoked by likening…
Comments closedBy: Sophie Brzozowski The 1970s in Quebec were characterized by a sentiment of rebellion and empowerment amongst francophone Québecois, who had harbored resentment toward Canadian…
Comments closedby Ronny Litvack-Katzman James Merrill’s The Broken Home and Michael Ondaatje’s Letters & Other Worlds both cast doubt upon the idea of a perfect family.…
Comments closedBy Liz Wagner Since it disturbs the natural flow of reading, the fragment form constitutes one of the most striking literary features of contemporary migration…
Comments closedby Sanjna Navani Temporality is “a mode of implantation through which institutional forces come to seem like somatic facts”; in heteronormative society, these forces “are…
Comments closedby Camille Crichlow The recent rise of unsettling, often disturbing French arthouse films has formed the innovative Cinema du Corps movement, what Tim Palmer in…
Comments closedby James Ward Wallace Stevens’ “Sunday Morning” is structured, ostensibly, around an interaction between a woman and a poet, with the woman serving as a…
Comments closedby Collin James The Brothers Grimms’ publication of “Snow White” spawned a lasting legacy that spans across multiple generations of narrative re-invention. This may be surprising,…
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