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Reconciliation in Chaos: Tracing word distributions and sentiment in the monologues of “Palace of the End”

By: Nathan Drezner Judith Thompson’s 2007 docudrama play, Palace of the End, presents a series of characters entrapped in their own histories, tangled up in…

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“She Ever Fed it with Thin Tears:” The Convergence of Necrophilia and Nurturing in Keats’ “Isabella”

By: Julien Gagnon The thematic dynamics at play between life and death, and especially the inevitable convergence of these apparent binaries, are evoked by likening…

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When Gluing Cracks Together Is Not Enough: Trauma and Abjection in Kim Thúy’s Ru and Eden Robinson’s “Dogs in Winter”

By Liz Wagner Since it disturbs the natural flow of reading, the fragment form constitutes one of the most striking literary features of contemporary migration…

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‘Otherness’ Reinforced through Queer Temporality: A Queer Reading of “Drown” and “Quarantine:”

by Sanjna Navani Temporality is “a mode of implantation through which institutional forces come to seem like somatic facts”; in heteronormative society, these forces “are…

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Locating the Racial and Gendered Other in Denis’ and Breillat’s Cinema of the Body

by Camille Crichlow The recent rise of unsettling, often disturbing French arthouse films has formed the innovative Cinema du Corps movement, what Tim Palmer in…

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The Negative Other: A Third Presence in “Sunday Morning”

by James Ward  Wallace Stevens’ “Sunday Morning” is structured, ostensibly, around an interaction between a woman and a poet, with the woman serving as a…

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Apple of My Eye: Gaiman’s “Snow, Glass, Apples”

by Collin James The Brothers Grimms’ publication of “Snow White” spawned a lasting legacy that spans across multiple generations of narrative re-invention. This may be surprising,…

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