The Channel Posts

By: Katia Innes  In Chang-Rae Lee’s novel Native Speaker (1995), readers are introduced to Henry Park, a first-generation Korean American husband, son, and spy. For…

By: Rahma Wiryomartono T.S. Eliot was preoccupied with the subject of transcendent experience, and frequent references to epiphanic visions and spiritual revelations characterize his body…

By: Emily Ferguson In Resilience & Melancholy: Pop Music, Feminism, Neoliberalism, Robin James names and defines the phenomenon by which hegemonic structures and their members…

By: Rebecca Dillon Havelock Ellis’s observation that “all creation is essentially an exercise of Narcissism” becomes especially intriguing when considering the representation of creation in…

By: Meghan Farbridge Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a tale of “female confinement and escape,” which depicts the narrator’s experience of a “nervous…

By: Elizabeth Strong Michael Ondaatje’s poem “‘The gate in his head’” is dedicated to Victor Coleman, a well-known Canadian poet and the first editor at…

By: Alicia Lapeña-Barry As a poetic form which occupies a significant amount of space in the English literary canon, the sonnet is a genre which…

By: Claire Hurley Pedagogical relationships are one of the many thematic preoccupations that dominate Leonard Cohen’s body of work over his long and esteemed career…

By: Nathan Drezner Judith Thompson’s 2007 docudrama play, Palace of the End, presents a series of characters entrapped in their own histories, tangled up in…